Mostly, though, it’s Davies’s love for cinema that is apparent in every single frame of this beautiful film. and production design that’s just jaw-droppingly plush for what must’ve been a modest budget. GA, Director Bill Forsyth Cast John Gordon Sinclair, Dee Hepburn, Claire Grogan, Of all the British filmmakers who, flush with the success of their first few homegrown efforts, decided to go and seek their fortunes across the pond, the tale of Bill Forsyth is the most cautionary. It was dumped initially by MGM because of its supposed ‘difficulty’ but was subsequently the winner of the Cannes Palme d’Or and a box-office and critical success in the US. TH, Director Michael Winterbottom Cast Gina McKee, Shirley Henderson, Molly Parker, John SimmNow 49, Michael Winterbottom has been making almost one film every year for the past 15 years, most of them broadly well liked, so it’s not surprising that three films by the versatile, Blackburn-born, Oxford-educated director have made it on to our list. TH, Director Cy Endfield Cast Stanley Baker, Jack Hawkins, Michael Caine‘Zulu’ may take a few liberties with the exact levels of Welshness on show during the Battle of Rorke’s Drift, but – Richard Burton, Catherine Zeta-Jones and gold-standard Richard Burton impersonator Anthony Hopkins notwithstanding –Welsh film fans have never had all that much to cheer about. As is Ealing writer William Rose’s finely wrought script: five caricatured criminals (Alec Guinness, Peter Sellers, Herbert Lom, Cecil Parker and Danny Green) masquerading as a group of classical musicians arrive at the King’s Cross home of a dear little old lady (Katie Johnson, who won a Bafta for her pitch-perfect performance) and enquire whether they might rent a few rooms – while they surreptitiously plot an audacious railway robbery. TH, Directors Michael Powell and Emeric Pressburger Cast David Niven, Kim Hunter, Roger Livesey, Raymond Massey, This is one of Powell and Pressburger’s most imaginative and thoroughly enjoyable films, but it's also one of Britain’s most substantial fantasy films, in that for all its visual invention, wit, romantic flair and sense of fun, it is most definitely about something. Like ‘Red Road’, ‘Fish Tank’ intimately explores the life of one female character on a housing estate, this time potty-mouthed teen Mia (Katie Jarvis), who falls into a relationship with her mum’s new boyfriend (Michael Fassbender). 26), Forsyth built on the goodwill engendered by ‘Gregory’s Girl’ to craft another tale of life’s better possibilities, not overlooking the chance of disappointment but refusing to submit to easy cynicism. 2. In celebration of some of the greatest television to come from a turbulent time in American history, Stacker referenced the Internet Movie Database (IMDb) to rank the top 100 TV shows of the 1960s. Discover the best Romance in Best Sellers. The beauty of Arnold’s films lies in their poetry and brilliance at expressing interior feelings through quiet observation. Williams claims to have written the film over one weekend, and both the clamp-like tightness of its structure and the bracingly realistic progression of its characters – if you get hurt, you stay hurt – make that entirely believable. But, hey: it’s still a masterpiece. Alec Guinness’s blinkered scientist Sidney is every bit as irksome as Professor Marcus in ‘The Ladykillers’, but quieter, subtler and less flashy, and while gravel-throated Joan Greenwood and simpering beau Michael Gough feel like a stereotypical Ealing couple, there’s something pathetic about the way they’re so powerless to affect the course of events. That the resulting film was still compulsively weird, highly atmospheric and a total financial disaster is testament to Hardy’s misjudgment of the marketplace. GE, Director Shane Meadows Cast Paddy Considine, Andrew Shim, Ben MarshallThe importance of imperfection cannot be overlooked in British film: while there’s plenty to be said for the studied slickness of Hitchcock or Lean, I’ll take the shaggy-edged, off-kilter unpredictability of ‘A Canterbury Tale’, ‘Kes’ or ‘Romeo Brass’ any day. ‘Love, Honour and Obey?’ ‘The 51st State’? The film remains influential on both horror directors and those looking to represent mental breakdown on film (look at Darren Aronofsky’s ‘Black Swan’). But what’s beyond criticism is the commitment to emotional veracity which fuelled films like ‘The Loneliness of the Long Distance Runner’. Bill Douglas Trilogy: My Childhood (1972), My Ain Folk (1973) and My Way Home (1978), 22. Plus, its ultra-seedy depiction of Soho nightlife is the sort of thing you might find nowadays in a Gaspar Noé movie. The silent version or the more familiar, partly reshot movie that was Britain’s first talkie feature? made by hf_em. GE, Directors Terry Gilliam, Terry Jones Cast Graham Chapman, Michael Palin, John Cleese, Eric Idle et al, It’s a miracle this film got off the ground. The best movies from a decade that changed everything. Amazon Music Stream millions of songs: Amazon Advertising Find, attract, and engage customers ... IMDb Movies, TV & Celebrities: In addition to that, a title must have received a minimum amount of votes (currently 25,000) in order to appear in one of these lists. Grim, confusing and scattergun it may be, but ‘Brazil’ is a film rich in deep and diverse pleasures, many of them uniquely British: Jonathan Pryce’s nervy, utterly isolated performance, cameos from the likes of Ian Holm, Bob Hoskins, Jim Broadbent, Michael Palin, Simon Jones and Gordon Kaye, the oppressively beautiful, wholly London-ish architecture, and a pervasive, post-war, proletarian sense of utter helplessness and bureaucratic desperation from which the only escape is sweet oblivion. Despite those garlands, however, it was a relative failure at the time – notably in the US, albeit a hit with the discerning Parisians – and by the mid-1980s, its reputation had further declined: our own film editor, Chris Peachment, was not alone when he described it as ‘a triumph of technique over any human content’ and ‘an array of waxwork figures against lavish backdrops’.But what technique; what waxworks; and what backdrops there are in this $11million, three-hour epic, shot over an impossible eight months. All rights reserved. I think Thackeray trades off the advantage of surprise to gain a greater sense of inevitability and a better integration of what might otherwise seem melodramatic or contrived.’ Likewise, as time goes by, Kubrick’s own contrivances – the technical obsessions, the outwardly puppet-like performances, Ryan O’Neal’s seemingly endless wanderings, adventures and increasingly futile ambitions – have themselves fallen away to reveal something quite extraordinary: the shape of a life, a human’s rise and fall, rendered as an epic, mesmeric, suffusing slow dance of immersive cinema – and therefore, not only Kubrick’s most beautiful but also his most empathetic and understanding work. As you’d expect from a from a film about a painter, it’s a visual marvel made from very spare ingredients and with the help of a discerning and intelligent director. 1. WH, Director Shane Meadows Cast Thomas Turgoose, Stephen Graham, Jo HartleyYou could hear the British film industry breathe a collective sigh of relief when writer-director Shane Meadows got the breakthrough hit he so richly deserved after much critical but little commercial success with his previous films. GA, Director Mike Leigh Cast Roger Sloman, Alison SteadmanJudging by its surprise inclusion in this poll, this second episode in Mike Leigh’s ‘Play for Today’ TV series has remained one of the director’s most fondly remembered early features. The focus of Jim Allen’s script on one group of militia allows for strong personalities with varying motivations and ideas to emerge, while the book-ending of the story with the discovery in the present of David’s letters by his granddaughter gives it a powerful immediacy. Nice to see it make the list, albeit in the penultimate spot. By the time Joan is battling a storm and a whirlpool in a tiny boat, her ‘heart of stone’, as one islander calls it, is finally cracking and she’s woken up to a less material and more honest world represented by the Scottish folk – including Roger Livesey’s local sailor – she meets, a world the filmmakers are happy to celebrate in a fashion that’s unsentimental but still stirring. A cold, impossibly grimy film, ‘Get Carter’ is a ‘Third Man’ for the three-day week generation that drags you through the sulphurous back rooms of hell. You can argue the importance of tax breaks, TV training and the burgeoning counterculture, but it’s hard not to see Roeg’s haunting Outback tragedy as a breakthrough moment. Nice to see it make the list, albeit in the penultimate spot. By Shaurya Thapa Aug 30, 2020 Remembered chiefly for Jenny Agutter’s borderline inappropriate only-just-of-age nude swim, ‘Walkabout’ possesses innumerable charms, not least David Gulpilil’s heartbreaking performance, an astonishing opening scene and of course Roeg’s ravishing photography. The zombie segments, while tense, violent and gruesome, are a sideshow to the story’s main thrust: our predisposition towards outright selfishness and savagery when even our most basic of needs are whipped from beneath our feet. DC, Director Steve McQueen Cast Michael Fassbender, Liam Cunningham, Steve McQueen’s first feature film is not even three years old and yet it ranks in the top half of this list, which is a mark of the impact the film made in 2008, when it won the Camera d’Or at Cannes for best debut. About Gilbert and Sullivan responding to withering criticism of ‘Princess Ida’ by making a comeback with ‘The Mikado’, it’s the kind of film that perhaps shouldn’t work but does – magnificently, thanks to a clutch of great performances and unshowy but precise direction, which ensures the movie succeeds on three levels: as an illuminating, partly self-reflexive meditation on the creative process; as an unusually vivid insight into just how different the world was as recently as the 1880s (all that wariness of the newfangled telephone! Stacker compiled IMDb data to determine the 100 best drama series of all time. Awards & Events. But none of this matters one jot: an absurd and very loose conjoining of the Arthurian and Holy Grail legends, the film remains one of the Pythons’ most memorable piss-takes. The doubly good news is that, after a hiatus of a decade, 65-year-old Davies is back behind the camera making feature films and is currently editing an adaptation of Terence Rattigan’s ‘The Deep Blue Sea’, his first film since 2000’s ‘House of Mirth’. This cannot be undone. Amazon Best Sellers Our most popular products based on sales. Initially coming across like a documentary of your average Sealed Knot weekender, the film delivers a minutely detailed chronicle of the battle via the ingenious method of modern TV news reporting: only the rank odour of the battlefield itself is missing. Subtitles for TV-Series, Movies, and Music videos, phrase by phrase curated and perfected by users. Movies . Try another? DC, Director Patrick Keiller Cast Paul Scofield (voice), The late actor Paul Scofield returned to lend his acerbic narration to the middle chapter of Patrick Keiller’s singular ‘Robinson’ trilogy, which began in 1994 with ‘London’ and was completed recently with ‘Robinson in Ruins’. From there, we discover that Travis and his two friends are thorns in the side of their rigid boarding house, where their peers exercise brutal authority purely because of their ties or badges – or, as Travis puts it, ‘That bit of fluff on your tit’. But from its ‘Carry On’-ish opening, the film morphs into something much more sinister, even segueing into ‘Peeping Tom’ territory, as Mike’s love turns to violent fixation. The genius at the core of this superlative, bible-black Euro noir is the way it teases you in to thinking that you’re watching a disposable pulp yarn about an honest schlub who touches down in a crumbling, post-war Vienna and won’t rest until he uncovers a conspiracy concerning the death of an old pal. DJ, Directors Michael Powell, Emeric Pressburger Cast Deborah Kerr, Sabu, David Farrar, All those prissy critics outraged by Powell’s shift into voyeuristic overkill with ‘Peeping Tom’ should have done their homework: from the perverted ‘glue man’ and his ‘sticky stuff’ in ‘A Canterbury Tale’ through the abusive, alcoholic anti-romance of ‘The Small Back Room’, his films are rife with suppressed deviance and sexual panic, none more so than this unsettling adaptation of Rumer Godden’s nuns-in-peril novel ‘Black Narcissus’. The film established Meadows in a league of his own when it comes to naturalistic, comic dialogue and wringing sensitive performances from young cast members. It doesn’t matter that much, really, since the stylish, occasionally Langian visuals already present in the first cut are still there in the second one, though it’s fascinating to hear Hitchcock’s engagingly experimental, at times even playful approach to sound echoing the elements of expressionism to be found in some of the imagery: the scene in which Anny Ondra’s heroine, having recently stabbed a lecher in self-defence, listens in to a conversation (somewhat improbably) full of references to knives is rightly famous. Replace Vienna with Los Angeles, and it’s basically ‘Chinatown’. Finney’s all-pistons-firing lead performance is note perfect, and props still go to him for making us empathise with Arthur’s naivity rather than being alienated by his bravado and the fact that he’s, well, a bit of a shit. TH, Buy, rent or watch ‘The Man in the White Suit’, Director Terence Davies Cast Marjorie Yates, Leigh McCormack, Anthony WatsonIt’s clear Davies believes we are shaped by the movies we watch. Is Miss Giddens mad? As Miss Giddens spots ghosts and becomes convinced of the kids’ malevolence, it’s the ambiguity of both the story and film that impress. Jenny Agutter and little Sally Thomsett are the film’s cornerstones, but a special mention to Bernard Cribbins’s archetypal British stationmaster. WH, Directors Michael Powell and Emeric PressburgerCast Roger Livesey, Deborah Kerr, Two things are well known about Powell and Pressburger’s 1943 epic about the life of an old-fashioned ex-army officer serving in the Home Guard during World War II: Churchill disliked the whole idea of it, and may have thought it was about him, and the Blimp character, over-fed and irascible, was inspired by David Low’s cartoon character of the same name in the Evening Standard. The IMDb also has a Bottom 100 feature which is assembled through a similar process although only 10,000 votes must be received to qualify for the list. DA, Director Jerzy Skolimowski Cast Jane Asher, John Moulder-Brown, Diana DorsOne of the all-time great London movies, the splendidly sleazy ‘Deep End’ definitively proves that it takes an outsider’s eye to really capture the true textures of a city. Utterly cinematic, powered by a startlingly resonant late ’70s soundtrack (with Bowie’s ‘Heroes’ the ironic turntable centre) and with an acute sense of transformative hybrid landscapes as equal players in the film’s unfolding sensibility, ‘Radio On’ sits, quite literally, on the precipice between a failing post-war reality and the coming abyss of Thatcherism. Guinness’s broad (though hilarious) caricatures make the pill even easier to swallow, as they show us that Louis’s crimes are little more than a savage attack on the hypocrisy, entitlement and haughtiness of English blue bloods. We suspect – and hope – that Arnold is not about to cross over to the mainstream any time soon. Anna May Wong gives an empowering performance as the dancer Shosho and her first appearance, dancing on the sideboard in the club’s scullery, feels as luminous and provocative today as it surely must have in the late 1920s. These few minutes include some of the subtlest acting to be found in Hitchcock’s oeuvre, not to mention an emotional depth and delicacy he never again quite managed to attain. ‘Consider Yourself’, ‘Got to Pick a Pocket or Two’ and the title song are all up there with the best in the musical genre. Not quite a road movie – England’s not large enough – Petit’s film takes the aesthetic and social imperatives of Wim Wenders’s luminous monochrome and his continental enquiries, transplanting them to the fields and motorways of southern England. Ultimately, both men’s attitudes are compromised to the greater good as the bridge comes crashing down in a riveting scene of unbridled catharsis. IMDB Top 1000. Get access to watch aha exclusives, aha world digital premieres, aha originals and selected free movies. Many view the film as cold, heartless, too stiff-lipped to be truly moving (check the current Time Out review by Dave Calhoun for evidence). What’s clear from the off is that Swinton and Potter possess an acute understanding of the droll subtleties of the text about an immortal nobleman who leaves his stamp on various points in modern history and then transforms from man to woman. When her sibling goes away for a few days with a boyfriend, Carole’s nervousness and discomfort with men descends into full-blown paranoia, illustrated subtly by Polanski with sparing but sinister visual tricks such as cracking plaster and even hands emerging from walls. The film may bear little relation to Gerald Kersh’s far nastier (and more grimly believable) source novel, but Jules Dassin’s stark, unforgiving direction, Max Greene’s oppressive monochrome cinematography and Richard Widmark’s twitchy central performance give the movie a paranoid power all of its own. The film is not merely about the strictures of gender through the ages, but also an essay on the nature of evolution (the Godardian final shot even switches from film to video) and it scores points through knowing casting (Quentin Crisp as Queen Elizabeth I!) We've improved News in the app to enable showing all news items in our database from only showing the last 100. Set during the 1940s in Douglas’s own birthplace (the dead-end mining town of Newcraighall) the emotional focal point of these films is Jamie (Stephen Archibald), an inquisitive, defensive young scamp whose day-to-day existence is a fight for survival and friendship. Domestic Gross Revenue: $40,891,591 Plot: Paddington Bear, now happily living with the Brown Family and has become a popular member in their local community for giving people support in different ways, gets various odd jobs to purchase a unique book from an antique shop as a birthday present for his Aunt … But there remains a small handful of crowd-pleasers guaranteed to tickle the toes of the most hardened cynic, and ‘Local Hero’ is a prime example. Farewell My Concubine (1993) 5. We spoke to over 150 movie experts and writers to put together this definitive list of British films. Emotionally honest and full of human warmth, ‘Four Weddings…’ stands out as one of the most enjoyable of British romcoms. ALD, Director Alfred Hitchcock Cast Margaret Lockwood, Michael Redgrave, Some argue that Hitchcock made his greatest works in the US, but the presence of four of his British films on our list suggests that not everybody holds that view – or at least that his earlier work is still held in very high regard. The pranks of monosyllabic scamp James (William Eadie) form the core of the film, and we eventually learn that James wants nothing more than to abandon the squalor of the city and move to a new housing project next to a cornfield in which he can frolic. But where most superficially similar works of consciousness-expanding ’60s experimentalism are now embarrassing, ‘Performance’ manages to remain confrontational, exhilarating and relevant. Top 10 movies voted by our users. Following on from a trio of shorts, director Lynne Ramsay revisited her birthplace of Glasgow to deliver an account of innocence and experience, love and death during a dustmen’s strike in the early 1970s . Only votes from regular IMDb voters (i.e. March 4, 2016. Blimp may not be us,and we may not even like him – but by the end we know and understand him, and that’s the brilliance of Powell and Pressburger’s work. The style of filmmaking is at once clinically precise and imaginatively loose. It’s this scene alone – in which John Hannah reads WH Auden’s poem ‘Funeral Blues’ – that cast the greatest influence over audiences. Entitled 'Land', 'Sea' and 'Air', they offered three pulse-ratcheting perspectives on the British desperate retreat from France in 1940. ... Ralph Fiennes is a British actor mostly famous for his appearance in The English Patient, The Constant Gardener, as well as his villains roles in Schindler’s List and the Harry Potter film series. Naturally, the film won’t play well with today’s digital generation – it’s far too fusty and polite in both tone and colour – but it still has the capacity to generate fond childhood memories. Considine is terrifying, and Meadows pulls no punches in painting a portrait of just how low men can go – for fun and for love. This is contrasted with Alec Secareanu’s portrayal of the thoughtful Gheorghe, who exudes a gentle sensitivity. An additional fan feature, message boards, was abandoned in February 2017.
Linda Bresonik Stadt Essen, Sc Waldgirmes Supporters, Sc Waldgirmes Supporters, Spanien Kader 2020, Deutschland Griechenland Frauen Tv, Die Verurteilten Ganzer Film Deutsch Kostenlos, Fußball Wm 1962, Pia Gntm 2018 Instagram,
Schreibe einen Kommentar